daniel schröder frank zappa – the composer

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Büchner-Verlag eG | Bahnhofstraße 6 | 35037 Marburg | +49 (0) 64 21/8 89 73 73 | [email protected] | www.buechner-verlag.de Daniel Schröder Frank Zappa – The Composer 2017 132 Seiten 13,3 × 20,5 cm kartoniert ISBN 978-3-941310-85-8 19,90 € Auch als E-Book verfügbar: ISBN 978-3-941310-86-5 16,90 € In his first album, Frank Zappa already formu- lated his ambition to become an important com- poser. And not only did he succeed in becoming a unique musical icon but also in developing an unmistakeable style in compositions for large or- chestras or for »e Yellow Shark« project. But where exactly in the vast field of »New Music« of the 20 th century do we encounter the composer Frank Zappa and who else do we hap- pen upon in his works besides the omnipresent Edgard Varèse? Was John Cage no more than a whimsical mushroom picker for him, and Karl- heinz Stockhausen already in a helicopter off to Sirius? Or have Pierre Boulez’ serialism or Con- lon Nancarrow’s punched holes left more dots on the map of Zappa’s musical cosmos? What was conventional about Zappa’s music, and what was innovative? And, did Zappa really refuse to die? Daniel Schröder (*1977) studied musicology in Marburg, Germany, and Jazz in Amsterdam, the Netherlands. His profound interest in contempo- rary music evolved as a result of his intensive studies of the bass clarinet with Wolfgang Styri (Ensemble Modern). With his band Dasch2, Daniel himself embarks on a fantastic journey into zappaesque realms (quadratisch-rekords.de).

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Page 1: Daniel Schröder Frank Zappa – The Composer

Büchner-Verlag eG | Bahnhofstraße 6 | 35037 Marburg | +49 (0) 64 21/8 89 73 73 | [email protected] | www.buechner-verlag.de

Daniel Schröder

Frank Zappa – The Composer

2017 • 132 Seiten • 13,3 × 20,5 cm • kartoniert ISBN 978-3-941310-85-819,90 €

Auch als E-Book verfügbar: ISBN 978-3-941310-86-5 • 16,90 €

In his first album, Frank Zappa already formu-lated his ambition to become an important com-poser. And not only did he succeed in becoming a unique musical icon but also in developing an unmistakeable style in compositions for large or-chestras or for »The Yellow Shark« project.

But where exactly in the vast field of »New Music« of the 20th century do we encounter the composer Frank Zappa and who else do we hap-

pen upon in his works besides the omnipresent Edgard Varèse? Was John Cage no more than a whimsical mushroom picker for him, and Karl-heinz Stockhausen already in a helicopter off to Sirius? Or have Pierre Boulez’ serialism or Con-lon Nancarrow’s punched holes left more dots on the map of Zappa’s musical cosmos? What was conventional about Zappa’s music, and what was innovative? And, did Zappa really refuse to die?

Daniel Schröder (*1977) studied musicology in Marburg, Germany, and Jazz in Amsterdam, the Netherlands. His profound interest in contempo-rary music evolved as a result of his intensive studies

of the bass clarinet with Wolfgang Styri (Ensemble Modern). With his band Dasch2, Daniel himself embarks on a fantastic journey into zappaesque realms (quadratisch-rekords.de).